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Bob Dylan - Highway 61 Revisited Mono MoFi 2LP 45RPM 180g Limited Edition

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Quick Overview
Available

Limited to 3000 numbered copies world-wide.

Mobile Fidelity Sound Labs
believes that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, coloration or other sonic artefacts.

With proprietary innovations such as GAIN 2™, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware.

Product Number: POS-134858
Brand: Mobile Fidelity
Model Number: LMF463M
Condition: New
Warranty: 12 Months
Weight: 750

Bob Dylan - Highway 61 Revisited Mono MoFi 2LP 45RPM 180g Limited Edition

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Track Listing

A1: Like A Rolling Stone
A2: Tombstone Blues

B1: It Takes A Lot To Laugh, It Takes A Train To Cry
B2: From A Buick 6
B3: Ballad Of A Thin Man

C1: Queen Jane Approximately
C2: Highway 61 Revisited
C3: Just Like Tom Thumb's Blues

D1: Desolation Row



Ranked #4 on Rolling Stone's 500 Greatest Albums of All Time List.

Its title references the road that spans North Minnesota to the Mississippi Delta, and the formative blues, country, and roots sounds connected to its existence. The highway also lays claim to towering musical myths and deaths, many tied to the blues lexicon and narrative. All figure prominently on the revolutionary beacon that is Highway 61 Revisited, the 1965 set that overturned rules, upended preexisting limits, and utterly changed everything in its path. Ranked the fourth-greatest album ever made by Rolling Stone, its reach, power, and content boggle the mind more than five decades after its release.

Mastered on Mobile Fidelity's world-renowned mastering system, pressed at RTI, and strictly limited to 3,000 copies, this restored analog MONO version presents the life-altering music in reference-quality sound - so much so that the record's famous first lightning-strike note is now indeed the "snare shot that sounds like somebody'd kicked open the door to your mind," as once described by Bruce Springsteen.

Teeming with organic energy, palpable voltage, and countless textures, Mobile Fidelity's mono 2LP set faithfully recreates the instrumentation, moods, and events associated with the six days Dylan and Co. spent at Columbia's Studio A. While many people experienced Highway 61 Revisited in stereo even at the time of its release, hearing it in mono reveals even more definition, focus, and liveliness. In particular, Dylan's voice is surrounded by more space and atmosphere, and its forefront position makes the lyrics that much more powerful. This is the way everyone would've been introduced to "Like a Rolling Stone" on AM radio. There's no substitute for such authenticity.

Recorded amidst a time of unfathomable turmoil and frustration that witnessed Dylan booed by fans, labelled a traitor, and call into question his work, Highway 61 Revisited roars and snarls, jabs and criticises. Its bonfire of cynicism, fury, indignation, and absurdity forever transformed rock, what it could mean, and what it could do. Supported by a thundering, commanding band that included guitarist Mike Bloomfield and organist Al Kooper, Dylan hopscotches between tempos, moods, and melodies. The symmetry of the songs references a scattered hybrid of R&B, blues, folk, soul, gospel, vaudeville, and garage rock pieces that Dylan assembles in the shape of the world's greatest aural puzzle.

Outside of "Like a Rolling Stone" - the six-minute-plus anthem that both challenged and chewed up all preconceived notions of an acceptable radio single by way of its length, ambition, and vitriol - every tune was captured shortly after Dylan's contentious performance at the Newport Folk Festival. The lingering impact of the hostility comes through in both the searing music and rich, literate, zinging poetry. Dylan's sneering tones, raucous arrangements, and unmistakable resentment toward both the establishment and counterculture that adopted him, and assume the form of songs such as "Ballad of a Thin Man," "Queen Jane Approximately," "Tombstone Blues," and the stupefying "Desolation Row."

GAIN 2™ Ultra Analog™ System for Vinyl

GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of Mobile Fidelity Sound Lab's founding fathers - Stan Ricker, an audio engineer responsible for many of MFSL's most heralded past releases.

The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customised reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)

First and foremost, Mobile Fidelity Sound Labs only utilise first generation original master recordings as source material for their releases. MFSL then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master's sonic information. The lacquers are then plated in a specialised process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). MFSL further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors' items, ensure that the quality of the last pressing matches the quality of the first.

Album Credits

Written by Bob Dylan

Produced by Bob Johnston, Tom Wilson (1)

Mastered by Krieg Wunderlich, assisted by Shawn R. Britton at Mobile Fidelity Sound Lab, Sebastopol, CA on the GAIN 2 ULTRA ANALOG SYSTEM.

Release Information

Label: Mobile Fidelity Sound Lab, MFSL-2-422

Series: Gain 2™ Ultra Analog MONO 45RPM 180g Series

Format: 2 x Vinyl, 45 RPM, MONO, Limited Edition, Numbered, Remastered, Gatefold

Country: US

Released: 09 Dec 2016

Genre: Blues Rock

12 Months
All of our products include a minimum 12 month Australian warranty.

Problems?
If you experience any issues with this product please don't hesitate to contact us.
How much does delivery cost?
Nothing! We offer free post on all orders to anywhere within the Australian mainland and Tasmania.

Can I pick up my purchase from your store?
Yes. You can usually pick up your order from one of our stores. We recommend that you contact us first to ensure your order is ready for collection.

What happens if I'm not happy with my product when it arrives?
We offer a 30 day 100% satisfaction guarantee on all of our products! If your order arrives damaged, faulty or not quite as you expected, please contact us and we will do everything we can to fix the situation.

Please visit our FAQ page for answers to other frequently asked questions or contact us if you have any other questions or comments.
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