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Bill Evans And Jim Hall - Undercurrent MoFi LP Numbered

$55

Quick Overview

Availability: Out of stock

Mobile Fidelity Sound Labs believes that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, coloration or other sonic artefacts.

With proprietary innovations such as GAIN 2™, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware.

Product Number: POS-134927
Brand: Mobile Fidelity
Model Number: LMFS031
Condition: New
Warranty: 12 Months
Weight: 510

Bill Evans And Jim Hall - Undercurrent MoFi LP Numbered

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Track Listing

A1: My Funny Valentine
A2: I Hear A Rhapsody
A3: Dream Gypsy

B1: Romain
B2: Skating In Central Park
B3: Darn That Dream




Diverse Set Encompasses Ballads, Waltzes, Hard-Swinging Bop

Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.

While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.

In tackling standards such as Rodgers and Hart's "My Funny Valentine" and the Broadway classic "Darn That Dream," as well as the Hall original "Romain," the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title.

Indeed, even the album's cover - an iconic photograph by Toni Frissell - exhibits the surreal, almost-hallucinogenic properties of the fare contained within.

GAIN 2™ Ultra Analog™ System for Vinyl

GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of Mobile Fidelity Sound Lab's founding fathers - Stan Ricker, an audio engineer responsible for many of MFSL's most heralded past releases.

The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customised reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)

First and foremost, Mobile Fidelity Sound Labs only utilise first generation original master recordings as source material for their releases. MFSL then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master's sonic information. The lacquers are then plated in a specialised process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial playback, but as the disc is played more, a high-quality stylus will actually polish the grooves and improve the sound). MFSL further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors' items, ensure that the quality of the last pressing matches the quality of the first.

Album Credits

Produced by Alan Douglas

Engineered by Bill Schwartau

Mastered from the Original Master Tapes by Krieg Wunderlich at Mobile Fidelity Sound Lab, Sebastopol, CA on the GAIN 2 ULTRA ANALOG SYSTEM.

Release Information

Label: Mobile Fidelity Sound Lab, MOFI 1-031

Series: Silver Label Vinyl Series

Format: Vinyl LP, Limited Edition, Reissue, Remastered, Numbered, Gatefold

Country: US

Released: 2014

Genre: Jazz

12 Months
All of our products include a minimum 12 month Australian warranty.

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Nothing! We offer free post on all orders to anywhere within the Australian mainland and Tasmania.

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What happens if I'm not happy with my product when it arrives?
We offer a 30 day 100% satisfaction guarantee on all of our products! If your order arrives damaged, faulty or not quite as you expected, please contact us and we will do everything we can to fix the situation.

Please visit our FAQ page for answers to other frequently asked questions or contact us if you have any other questions or comments.
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